300 copies on vinyl Cut by Shane the Cutter at Finyl Tweek
Factory Food is the first album from the Wirebug aka Dan Hekate for over a decade. Now a feature film director Dan has brought all his expertise in sound design to bear on this full-length album of industrial beats, soundscapes and noise. Intertwining broken rhythms with melancholic melodies, harsh analogue percussion with acoustic instruments, this is a series of tracks that asks the listener to engage or retreat.
Including collaborations with Praxis founder Christoph Fringeli, instrumentalists Enrico Gontero on the accordion and Steph Voodoos on acoustic guitar this is a listening experience in of itself. It includes tracks that you would drop to packed breakore dancefloor as well as those that would feel more at home in a noise concert but all the same it is cohesive and true to it’s own nature – a cold, minimal, mechanical beast rumbling across the landscape of our digital age.
Stream the complete album on SoundCloudCover design by Luke Hekate
New Digital release via Bandcamp - 'Wrong Skies' by Rosalie, 8 tracks of dark psychedelic breakcore and atmospheric noise: https://praxisrecords.bandcamp.com/album/wrong-skies-praxis-digital-00111
A short clip from The Wirebug aka Dan Hekate live in 2019 at the Berlin release party for Factory Food, now uploaded to the Praxis YouTube channel: https://www.youtube.com/watch?v=ltIINRHSWDQ
The Wirebug: Factory Food
Praxis 57 The Wirebug Factory Food
300 copies on vinyl
Cut by Shane the Cutter at Finyl Tweek
Factory Food is the first album from the Wirebug aka Dan Hekate for over a decade. Now a feature film director Dan has brought all his expertise in sound design to bear on this full-length album of industrial beats, soundscapes and noise. Intertwining broken rhythms with melancholic melodies, harsh analogue percussion with acoustic instruments, this is a series of tracks that asks the listener to engage or retreat.
Including collaborations with Praxis founder Christoph Fringeli, instrumentalists Enrico Gontero on the accordion and Steph Voodoos on acoustic guitar this is a listening experience in of itself. It includes tracks that you would drop to packed breakore dancefloor as well as those that would feel more at home in a noise concert but all the same it is cohesive and true to it’s own nature – a cold, minimal, mechanical beast rumbling across the landscape of our digital age.