Tag Archives: Vile Enginez

Noirodyn: Construct Deconstruct

Construct Deconstruct (Praxis 54) by Noirodyn A new full length CD album by Noirodyn, aka Vile Enginez. Fernando Narvàez Perez has so far mainly made his mark under his Vile Enginez monicker with a debut on Zhark International from 2004 and several releases on the Praxis sublabel Sub/Version, both on vinyl and digital. The project […]

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Noirodyn: Infradesigns

   

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Released today – Noirodyn: Infradesigns (PRAXIS_digital_00001)

Praxis is closing the year 2013 with the first release in a new digital series: Noirodyn’s 13 track full length „Infradesigns“. Noirodyn is the new project of Fernando Narvàez Perez, aka Vile Enginez. Under this name he has released a 12“ on Zhark International, which was followed up by two vinyl releases on the Praxis […]

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Praxis 20th Anniversary Party in Stuttgart 14-12-2012

Presentation of Datacide 12 by Christoph Fringeli and Nemeton at 10pm then party with Base Force One Electric Kettle H-Kon Nemeton Vile Enginez Zombieflesheater Sansculotte at the Waggons

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Vile Enginez: Cycadelic/Tool

Vile Enginez A: Cycadelic B: Tool Cut by Martin Giles at Alchemy, London. 400 copies pressed at MPO

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Vile Enginez: Overthrow/Undermine

Vile Enginez A: Overthrow B: Undermine Cut by Martin Giles at Alchemy, London Pressed at MPO 20 test pressings 535 pressed

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Sub/Version 307 – Vile Enginez: Drum & Fuck Off OUT NOW

Maybe the most radical release on Sub/Version yet: Vile Enginez: Drum & Fuck Off is out now in digital format! Check it on out soundcloud site now:

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Vile Enginez: Prototype C 07 (Sub/Version 305) Digital Release

The 5th release in the Sub/Version digital series is out now! Vile Enginez is back with a breakcore infused hard tune – check it out here:

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Datacide-Nacht in Basel 4.12.2010!

Datacide, das „Magazine for Noise and Politics“ erscheint in unregelmässiger Folge seit 1997, zunächst von London, dann Basel aus, zur Zeit ist das Headquarter in Berlin. Von dort aus veranstaltet die Zeitschrift seit 2007 Vorträge um die Begriffe Subversion und Kulturindustrie und interessiert sich dabei nicht primär für Fragen der Ästhetik, sondern für die emanzipatorische […]

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